Tuesday, 27 May 2014

Disney’s ‘Frozen’: The only Disney Film based around female empowerment.





Disney’s ‘Frozen’: The only Disney Film based around female empowerment.

Walt Disney is a Production company known all around the world for its creation of children’s characters. Its worldwide popularity has resulted in the company becoming largely cross-platform, with platforms varying from theme parks and merchandise to cartoons and film animations.  This was the beginning start of their medium spreading out over many platforms. They target the younger audience by creating characters that have the ability to influence children’s lives. Representation plays a huge role in the influence they have on children, as they represent their characters with positivity and usually stick to the stereotypical views within the genders, due to children idolising the characters. Although we do not realise, the roles within genders and social ‘norms’ are being set up in order to educate children. They “give us ways of imagining particular groups, identities and situations” (Branston and Stafford, 2010), leaving the audience with expectations on how the world should be and how to experience it. The debate over the certain idea of beauty is a rising topic within the media industry today, due to different platforms swarming us with the ‘perfect’ ideal image. Disney picks up on this through the Disney princess characters in which they have released.  Gender and representation are two main concepts that signify Disney and it’s portrayal of their characters, for example the princesses. Gender plays a huge role within the interpretation of the Disney princess clan, as Walt Disney use stereotypical characteristics of females and how they should be looked upon by the world. Representation emphasises on how “realistic or compelling some images seem” (Branston and Stafford, 2010), which could look at the idea of Disney representing characters in an unrealistic light and embodying them in a way in which we wish to be represented. One of the themes that I will be looking into throughout my essay is feminism within the film ‘Frozen’. This essay will focus on how spaces across media look at certain concepts, theorists and themes in order to analyse Disney’s ‘Frozen’, “The Feminist FairyTale We’ve Been Waiting For (with no Prince Charming)” (Rosten, 2013)

Walt Disney and his brother Roy founded the Walt Disney Company in 1923. They produced a series of short animations and within the next few years many changes took place including the introduction of their main icon ‘Mickey Mouse’ in 1928. Snow White and the Seven Dwarfs was the first full-length animation and was a huge success. This was the start of the Disney Princess clan. Having produced several animated feature-length films, Disney became a cross-platform organisation. They began to produce across different media spaces, such as Television shows, Books, merchandise and even the now iconic Disney World theme park that soon resulted in Walt Disney’s mass media title. Disney is known for the amount of platforms it has around the world, as with the use of technology and success of how they have represented their icons, they have been able to across spaces, develop and create interactive features such as Internet games, Apps, forums, films, competitions and many more.

Andy Mooney first introduced Disney princesses, with the original line-up of Snow White, Cinderella, Aurora, Ariel, Belle, Jasmine, Pocahontas and Mulan. These characters were the first to be marketed in a separate franchise known as the Disney princesses. The marketing team aimed to make the Disney Princesses an inspiration to all young girls around the world and did this through interaction through different media spaces. Mooney began to use different cross-platforms to promote the characters and although there were restricted in advertising, The Disney princess franchise has become one of Disney’s leading accomplishments. It now features a line–up of thirteen individual princesses from varying cultures and ethnicities. The most recent princesses added to the Disney line-up are Elsa and Anna from the 2013 hit film ‘Frozen’.

Disney Animation studios released the film ‘Frozen’ on November 27th 2013 in the United States, and it was the fifty-third Disney feature animation to be released. The screenplay was written by Jenifer lee and the film features the voices of two famous actresses Kristen Bell and Idina Menzal. With the success of the film, it has won many awards including two Academy Awards for best-animated feature and best original song. ‘Frozen’ tells the story of Queen Elsa and he sister Princess Anna.  Elsa has magical icy powers and accidently exposes these to her kingdom. She runs away and her sister Anna sets of on a quest to bring her back to break the icy spell.  She meets various characters on the way, including the humorous snowman Olaf and a mountain ice harvester Kristoff, who soon becomes a love interest.
Figure 1: ‘Frozen’ trailer. Source: YouTube

The story is the first Disney animation feature length film with two female leads that are not rescued by any men. Women are often portrayed as sexualised, stereotyped or objectified, and the film ‘Frozen’ overthrows this idea giving women independent control and it is said that it is a revolutionary step forward in how animated films interpret women. Disney used its advertising campaign to highlight the significance of Olaf’s character, who is a male clumsy, humorous snowman that was created by Elsa using her powers. The advertising gave the impression that Olaf was the films main protagonists, and did not make it clear that the film actually featured two female leads. This could be because of the huge success of previous Disney films that have all used a similar character set-up that includes a dominant male hero. The film ‘Frozen’ is a “complete reversal and subversion of the Disney Princess conventions” (Rosten, 2013) as although their image fits in with these conventions, their personalities challenge them due to them being individual strong female leads. Richard Dyer (2002) looked into the idea of representation raising the question is reality achievable? And “how we are seen determines how we are treated” (2002, p.1). The film ‘Frozen’ goes against this, as although their image fits in with the typical idea of beautiful and vulnerable women, they are not treated like this.  Elsa is chosen to run her Kingdom with no man at her side, and Anna is strong enough to go on the journey to find her sister by herself, with no aid from a man. This in a way is why the film franchise has become a huge success, as female power is a continuous debate within the media industry.

Disney’s ‘Frozen’ has expanded to engage with a number of platforms resulting in its cross-platform title.  The popularity of the films franchise has continued across other platforms, such as its soundtrack. Christophe Beck worked on composing the films orchestral score along with Robert and Kristen Lopez who wrote the original songs for the film. The soundtrack is known to become one of the most successful for Disney since The Lion King, which was released in 1994. Audio is becoming more important to active viewers, as it allows you engage more with the feature and widens the audience to musical theatre fans.  The song ‘Let it Go’ is the most popular song from the soundtrack, and as shown in Figure two, the views on YouTube are higher than most pop songs.

Figure 2: ‘Let it Go’ YouTube views. Source: YouTube


Artist Demi Lovato (as shown in figure three) has produced a cover version of the song in order to make the song appeal to a more mainstream audience. Lovato is well known for her views on female empowerment and writes her own songs. This meaning that doing a cover version was a very uncharacteristic move of her, showing that she believes that the song is a great anthem to promote female empowerment from a young age.

Figure 3: Demi Lovato – ‘Let it go’

  
Source: YouTube


The song itself highlights on the importance of staying true to yourself and that you shouldn’t be afraid of what others think of you, as shown in the lyrics below:

Figure 4: ‘Let it Go’ lyrics
“Let it go, let it go
And I'll rise like the break of dawn
Let it go, let it go
That perfect girl is gone”
Source: Lopez, 2013

The line ‘The perfect girl is gone’ relates to a moment in the film where Queen Elsa reveals her powers to her kingdom allowing her to accept who she really is. This is representing to young children that you should accept who you are, and as Dyer says, “How they see their place in society” (2002, p.1) should not be based upon how others think they should be seen.  The lyrics themselves subvert to Disney’s usual stereotypes as princesses are typically represented as being ‘the perfect girl’. The track allows young children to embrace the lyrics and literally ‘let it go’ when it comes to their image, as the song provides the positive impression of being yourself.

The relationships that evolve between Anna and Kristoff “are completely secondary to Elsa, and they are woven into the plot beautifully” (Rosten, 2013) as although an action of true love saves Anna, it does not come from a male lead, it comes from herself saving her sister Elsa. This idea highlights on the concept of gender as men are seen to have more dominant behaviour traits over women and these roles are reversed in the plot for the film ‘Frozen’.

The male characters within the animation are not the usual macho male leads that normally feature within a Disney Princess film. They do not save the day, although they help, and nor do they create the typical love scene of ‘True loves kiss’ which appears in almost every Disney Princess animation. They appear to be the understudy. They are represented as weaker than the female cast, for example when Kristoff quotes “you’re not scared?” (Frozen, 2013) to Anna when she faces her fears, she reply’s with no and runs off to help her sister. Within the film we are told that the female role is the one that will save the day with the quote “we need Elsa to bring back summer” (Frozen, 2013). This shows that the male roles and her kingdom are relying on her to break the spell that she has cast on her kingdom for an eternal winter. This again subverts the gender traits in which the stereotypical man and women would have. These include men being dominant, powerful and intelligent and women who should be significantly more vulnerable and weak. This picks up on the idea of feminism, which is a debate about the position of women within society.

When Disney widened their platforms and created Disney Land in Florida and Paris, and introduced the idea of meet and greet with the different Disney and Pixar characters. This cross-platform is seen as operating across space as Disney try to aim on creating the most realistic life form of the characters both visually and mentally. They choose actors and actresses that both look the part and acted the part. Gender and Representation are shown through this cross-platform, as the image Disney portray of the characters represent to young children the idea of perfection. It relates to the idea the hypodermic syringe model that describes the interaction between media and public belief. Disney’s platform for meet and greet with the characters relates to this as they are ‘injecting’ the perfect idea of women into the passive media audience.

Figure 5: Meet and Greet Anna and Elsa
 Source: YouTube
Anna and Elsa were introduced to the Kingdom and quickly became very popular with their meet and greet queue lasting up to four to five hours. The video shows that Disney has considered the image of the two actresses to play a huge impact on the success of the characters. The actresses appear to be very attractive and petite looking adding to the ideal representation of women to be ‘beautiful’. Despite Disney trying to create the best life form of the characters, they undoubtedly have fallen into the idea of the male gaze theory by Laura Mulvey (1975). Laura Mulvey’s theory looks into the idea that women are looked at and displayed meaning that their image must be essentially perfect and that is their only aim. Disney’s ‘Frozen’ aimed to highlight on female empowerment and achieved this through the plot in which they developed. However they did not alter the appearance of Anna and Elsa to match a realistic form of how women should look, for example bigger frames or less attractive features. Instead they stuck to the conventional representation of a Disney Princess.
   
Figure 6&7: Anna and Elsa. Source: Disney                              
 











The two images show that the appearance of Princess Anna and Queen Elsa are both very attractive and as Mulvey said (1975) that appearances are coded with visual impact. The two characters have petite frames, button noses and big appealing eyes, constructing the idea that this is beauty to young children. Elsa even has a provocative slit up her dress revealing more skin then would normally be shown in a Disney children’s film. The Disney store allows you to purchase Anna and Elsa dolls for children, again promoting the characters beauty as part of the success of their merchandise. This leaves us with the idea that has Disney’s ‘Frozen’ actually ruled out feminism?

The character Olaf, who is a magical talking snowman, appears to be a male tragic hero in the film, as he has the characteristics from Aristotle’s theory of the idea of the tragic hero being a good man with minor flaws in his character. This relates to Olaf as he plays the humorous sidekick in the film that helps Anna on her quest. Due to the popularity of this character, Disney widened their platforms again by creating a video game based around the character Olaf. The game is called “Disney Frozen: Olaf’s Quest” and is a “light-hearted, cheerful romp injected with humorous action that players of all ages and fans of the film will enjoy” (Nintendo, 2013).  

Figure 8: Disney Frozen: Olaf’s Quest
Source: YouTube

Frozen became popular as it operated through different spaces and opened Disney’s platforms to a wider audience. They planned it well with producing a video game based around the character Olaf as the character Olaf appeals to both boys and girls of all ages.

The roles of gender traits also reversed when Hans, ‘the good guy’ turned out to be evil at the end. This was a huge plot twist in the film, as throughout the film we were aware that he was Anna’s true love and that she was engaged to marry him. It was not until the end where we found out that he was evil that resulted in Anna punching him in the face, again going against the stereotypical traits of a Disney Princess. The idea of true love at first site is looked upon within this film, as it seems to be a prominent theme within the Disney Princess franchise, for example when Cinderella and Prince Charming first met. Although the idea of true love at first sight is soon to be criticised as both Kristoff and Elsa do not agree with it.  The significance of this reversed theme in Disney’s ‘Frozen’ is opening a deeper message for children “regarding matters of the heart” (Chipman, 2013) as it represents the awareness of love being a long-term commitment that needs to be worked at. Another element of the film that was not to go unnoticed was the idea that Elsa did not have a love interest. It could have been representing Elsa as a lesbian, “with her powers acting as an unsubtle metaphor “ (Chipman, 2013) and is shown through the nominated song ‘Let It Go’. Analysing the lyrics in detail, it shows that the song could be anthem for homosexual children all around the world as it asks children to embrace who they truly are. If Disney were trying to aim her character towards this then they would defiently be adapting with modern day sexuality, as being homosexual has become more common. Even the idea of Queen Elsa “who doesn't see a romantic partner as a mandatory accessory is revolutionary in itself” (Chipman, 2013) relates to David Gauntlett’s (2002) idea that “modern media has little time or respect for tradition”, as interpreting traditional Disney films with a homosexual twist would have been frowned upon.

It could be argued that Disney has lacked diversity around race and beauty within the creation of the Disney’s ‘Frozen’, as Anna looks similar to Rapunzel from the film ‘Tangled’. This represents beauty being a strict idea for young girls due to the lack of difference in appearance created by Disney’s producers. This is later revealed through Disney’s large cross-platform of merchandise in which they have created for the film ‘Frozen’. Looking at the Disney store website the products in which they are selling are mostly aimed towards females, other then one doll of the character Kristoff. This shows that it’s clear to Disney who there intended audience for the film was; otherwise more masculine products would have been made.


 The film frozen is a great modern day twist to the original idea of what a Disney princess film should be.  Due to its large success, films in the near future produced by Disney will have a similar outcome, as they will hopefully intend to promote important messages to their young audience the same in ‘Frozen’ promotes the message of female empowerment.

Reflection
Researching into the film ‘Frozen’ was enjoyable, as I like the film and embraced the idea that the film had two strong female leads. The film has spread across different platforms through space, creating its success, for example the soundtrack that could potentially be nominated for an Oscar.  The idea of feminism is a continuous topic that lights up in the media industry today, and with the film ‘Frozen’ being such a success, I knew that it would be the perfect case study to discuss this. It included lots of examples relating to feminism and I decided to talk about how the film uses the concepts of gender and representation to promote this. When I was studying the concept of representation I became interested in how the film represents their characters, as they subverted the typical traits of a female Disney princess. This became one of the topics in which I mainly focussed on as the film highlighted on this greatly, for example the two leads were two females and the act of true love came from a woman not a man. Hidden ideologies also interested me, as it made me look at the film from a different perspective. The idea of Elsa being a lesbian had a huge impact on my perception of the plot for the film, as it made me re-think about her reasons behind her actions. When I looked into the concept of gender, I found this more difficult to research into, as I wasn’t confident in how the theories would relate well to the case study and how it would show different platforms. I then discovered Laura Mulvey’s theory of the male gaze, and interpreted this into the film by relating it to the portrayal of the characters. The females were designed to look beautiful and Disney did this well, although they did not think about the idea of diversity, and maybe creating the characters with a different race or ethnicity. The amount of cross-platform that the film has to offer, strongly interested me as it is larger then I expected. I was unaware of the success of the soundtrack and that artists such as Demi Lovato had created cover versions of the songs. Overall I learnt that the future for Disney films through space should use the feminist approach, as they would be very successful.  This is shown through Disney’s ‘frozen’ as it broke “the ice for Disney’s stereotypes” (Grammar, 2014) and widened their platforms for the film, opening new opportunities and ideas for young children to think about.

Conclusion:
Overall, the idea of female empowerment is embraced greatly in the film ‘Frozen’. Disney has used the plot and engaged with the topic of feminism, gender and representation allowing it to become such an inspiration to young children, as it highlights on the fact that “modern media has little time or respect for tradition”(Gauntlett, 2002). Disney has used different spaces to again promote the film and spread the idea of empowerment even further, for example getting an artist like Demi Lovato to sing a cover of their hit single ‘Let it go’. Although Disney has yet to master the idea of creating a realistic image on women to young girls all around the world, they are on the right track due to creating the idea for ‘Frozen’. Laura Mulvey’s idea of the female gaze theory plays a huge role in the way in which Disney has used spaces to promote the film, as at meet and greet at Disneyland, they used two attractive females to play the characters. This represents the way in which women should look to young children who inspire to look like the characters Anna and Elsa. Using two female leads was a bold move and will represent an important step in history for Disney as they wish to widen their spaces even further by creating plans for ‘Frozen’ in Broadway and possibly a sequel to the film.

Word count: 3581
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